Ever wondered how sneaky forgers managed to dupe and deceive the experts with fake arms and armour? Our Curators Emeritus Ian Bottomley and Peter Smithurst in their Fakes, Forgeries and Replicas Seminar sought to uncover some of the forger’s duplicitous tactics.
Fakes and forgeries often become more prolific when the demand and prices are high; consequently, the gothic revival and the rise of romanticism during the eighteenth and nineteenth centuries provided ideal conditions for the fakes market to thrive as the craze for medieval pieces grew.
One of the most infamous fabricators of fakes of the 19th century was Samuel Pratt of Bond Street. Pratt was originally a vendor of antique furniture, but he colluded with a metalworker called Grimshaw and began to deal in ‘antique’ arms and armour. Some of the armour that he sold was real, but much was fake, being either copies or ‘improved’ items, such as a fifteenth-century sallet which Pratt modified into a basinet in around 1850.
Blogger: Natasha Roberts, Curatorial Assistant
Latest posts by Royal Armouries (see all)
- The Royal Armouries Leather In Warfare Conference - 11 December 2014
- They That Are Left: the Royal Armouries hosts a stunning Remembrance photographic exhibition - 18 November 2014
- Ask A Curator Day Wednesday 17 September 2014 - 16 September 2014