We spoke to Set Designer, Ruth Paton about having history at her fingertips as she prepares the scenery, props and costumes inspired by the Royal Armouries collection for Kings of Cloth of Gold.
What inspiration have you taken from the Royal Armouries’ collection?
The amazing thing for me was being able to see the actual armour that Henry VIII wore. As it is a complete head to toe body shield with no part of him showing, you can really imagine that he is inside there. It was moulded to his body and so you get a feeling of his physical presence. There is also a beautiful tent on display, a replica of one in the famous panting. It is very impressive and a good reminder of the display of power shown from both sides. We have to come up with something that alludes to the scope and grandeur of that scene.
What props are being used from the Royal Armouries?
We have generously been allowed to borrow some gorgeous and authentic costumes and I think we will be borrowing some weaponry, swords and daggers too.
Tell us about the set and costumes.
It is quite a difficult brief. I must provide the different locations that the text demands, demonstrate the vastness and wealth of the tents and palaces both nations brought with them, whilst at the same time design something that can be put up and down quickly on the tour. It also has to be versatile enough to fit into a whole range of different performance spaces, from village halls to proscenium arches. So, we have come up with something golden and tented, which can be manipulated by the actors on stage to imply different locations. The costumes have come from the Royal Armouries and the Royal Shakespeare Company and are as sumptuous as you would expect for the early Tudor period.
What does it mean to you to have the resources of a museum’s historical collection at your disposal?
I consider it a great privilege to have behind the scenes access to the museum and it’s staff. Meeting Karen Watts, Senior Curator of Armour, was completely inspirational. Her knowledge and passion was infectious. I was interested in her description of handling historic artifacts and the art of “reading” them. She spoke about the importance of passing on her knowledge. In a far lesser way, I also feel responsible for describing history although I must admit to using a huge pinch of artistic license- my world is that of make believe after all.
What stage of preparation are you at now?
Well, I am writing this from the train to Stratford Upon Avon where I have an afternoon in the costume store looking for suitable things. Scale drawings are on my desk at home ready to be sent to our production manager Steve and I have fabric samples in my bag of the fabric for the tents as I am trying to make a decision.
Kings of Cloth of Gold by Angus & Ross Theatre Company, premieres at the Royal Armouries on 29 September 2012.
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