Meet the Jouster: Andy Deane (‘Old Iron-arm’)

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Andy Deane as individual champion at Arundel International Tournament 2014

Age: 50

Height: 180cm

Weight: 82kg

Jousting since: 1993

Personal best/highlight: Leading the Royal Armouries team to victory a record breaking three times in a row for the coveted Sword of Honour in Leeds.

Motto: Fortis Labore (Strong work)

Strength: Experience.

By day: Visitor Experience Team Coach, Royal Armouries

By knight: (biography/career information)

As a young man-at-arms, in 1985, Andy strode out in front of an audience for his first ‘Trial by Combat’. Nervous, and with sword and shield in hand, he fought hard and well. That was it – he was hooked. As a boy Andy only ever wanted to be a knight, and that first combat gave him the thirst to practice all the martial skills of the medieval warrior. Having ridden horses since the age of four, to joust was the ultimate goal, and in 1993 Andy experienced the thrill of his first tournament as a jouster. In 1995 he joined the famous ‘Royal Armouries’ jousting team in Leeds, and had the honour of being captain of that team for many years. During this time Andy had the privilege of clashing with nearly all the top world jousters, past and present. Since that first combat thirty years ago, Andy has travelled across Europe, Asia, Canada and America performing and teaching the medieval martial skills needed by a knight to survive in tournament or battle.

Andy says “It is a privilege, once again, to represent the Royal Armouries at what is now the museums twentieth season of jousting here in Leeds. The truly international element of this years expanded tournament has ramped up my excitement at the prospect of crossing lances with some of the biggest, most aggressive Jousters ever seen in the museums arena.”

Additional talents: Open water diving, up to 30 metres.

See Andy’s epic training routine below in our epic mini-film with Leeds Dock’s Primal Gym – ‘How To Train a Knight’.

To witness Andy in action, book your tickets on our website or by calling bookings on 0113 220 1888.

Day combo tickets cost from £10 for adults and £5 for concessions!

Fortis Labore

Andy Deane’s colours

 

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Andy Deane as individual champion at Arundel International Tournament 2014

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Meet the Jouster: Ben van Koert

non_armourAged: 35

Height: 167cm

Weight: 75kg

Jousting since: 2011

Personal best/highlight: won the Arundel International Tournament Joust 2013 chivalry prize. Highlight – Arundel International Tournament Team Champion 2014.

Motto: ‘Per Aspera Ad Astra’ (“Through hardships to the stars”).

Strength: Meticulous

By day: System and network administrator in a school

By knight:

Ben has been involved with the the world of re-enactment and historical interpretation since 1999, and part of leading interpretations of medieval war and tournament both on foot and on horse in Germany, Belgium, the UK, the USA, Australia and, of course, in his native Netherlands.

He has participated in medieval jousting events in the Netherlands, the UK, and Australia. He won the chivalry prize at the Arundel Castle International Tournament in 2013, and was a team champion the following year.

Ben’s talents also extend to fire-artistry, and he has recently produced videos of jousting and re-enacting at events as Kaos Historical Media.

This will be his first time at the Royal Armouries.

To see Ben in action, book your tickets to the Easter Tournament on our website or by calling bookings on 0113 220 1888.

Day tickets cost from £10 for adults and £5 for concessions!

On_Horse_2

Ben Van Kurt's colours

Ben Van Kurt’s colours

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On_Horse

Meet the Jouster: Steve R. Gagnon

Age: 50 00770_Steve_Gagnon_buste

Height: 188cm

Weight: 99kg

Jousting since: 2000

Team: Burgundy

Personal best/highlight: Best jouster in King John III International Tournament, Poland, 2013 against 11 of the world’s top jousters.

Strength: Overall strength and calmness.

Weakness: Training – In Quebec, long winters make it very difficult to joust as regularly and often as Europeans.

Motto: Ubi tenebræ sunt, ego sum (Where the darkness lies, I am)

By day: Art & Creative Advertising Director

By knight:

Developed jousting tournaments for sport and historical divisions, especially with the creation of the Lys d’Argent International Jousting Tournament, 2010. Steve has competed in Belgium, France, Poland, England, USA and Canada and won the Lys d’Argent international jousting tournament in 2012 with his teammates Marc Hamel and Patrice Rolland.

Steve is a pioneer in equestrian jousting in Québec and creator and organiser of medieval festivals for the past nine years. He lives in the countryside of Montreal on a ranch where he trains horses for historical jousting competitions.

Extra talents: Drawing, painting and sculpting.

To see Steve in action, book your tickets on our website or by calling bookings on 0113 220 1888.

Day tickets cost from £10 for adults and £5 for concessions!

Steve Gagnon's arms

Steve Gagnon’s arms

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de sable et d’argent

Meet the Jouster: Jan Gradon

Age: 3411050957_10206262886357958_1358098300_n

Height: 194cm

Weight: 100kg

Jousting since: 2007

Team: Poland

Personal best/highlight: highest individual score at Tournament of the Phoenix, USA 2011, the second individual position at Arundel International Tournament 2013 and Skill at Arms competition champion at Arundel 2014

Motto: “Amor Vincit Omnia” (Love Conquers All)

Strength: Composure

By day: Office General Manager

By knight:

Jan began his career in 1996 with historical re-enactment on foot, and then got on a horse in 2005. He’s trained in full-contact medieval foot combat, portrayed an Ulhan cavalry-man of the 19th century Grand Ducy of Warsaw, and rode as a knight at Europe’s largest battle re-enactments, the battles of Tannenberg (Poland) and Hastings (UK).

As a member of Xiazeca Druzyna, a Polish historical mounted display team, Jan competes in tournaments across Europe and America. In 2011 he burst into the top ranks of the international jousting scene in style by winning America’s most prestigious competition, the Tournament of the Phoenix, California.

2013 saw Jan compete at the Arundel International Tournament in the Holy Roman Empire team, at which he gained the second individual position, and the following year he returned under the banner of his home country and won the Skills at Arms individual competition.

This will be Jan’s first appearance at the Royal Armouries Tournament.

To see Jan in action, book your tickets on our website or by calling bookings on 0113 220 1888.

Day tickets cost from £10 for adults and £5 for concessions!

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Jan Gradon’s colours.

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C: Stephen Moss photography

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C: ARW Photography

 

Conservation Live! at the Royal Armouries: Siborne’s Waterloo Model

Conservation of Captain William Siborne’s remarkable model of the battlefield of Waterloo is now underway at the Royal Armouries in Leeds.

Conservation Live! of the miniature soldiers of Waterloo.

Conservation Live! of the miniature soldiers of Waterloo.

The model, which was completed in 1843, shows – in marvellous detail – the battlefield as it was at around 1:30pm on 18 June 1815. It is more than five metres long and two metres wide, and it comes apart into ten sections. The battlefield is populated by more than 3,000 finely modelled and painted lead figures including soldiers, horses and artillery.

sibornemodel

Section of the model before conservation.

The model has been on display at the Royal Armouries since 1996. Now, in advance of the bicentenary of the battle, it is being dismantled and conserved piece by piece as part of a Conservation Live! programme.

Cleaning the thousands of models on the battlefield is a slow and careful process.

Cleaning the thousands of models on the battlefield is a slow and careful process.

British soldiers in miniature - look closely and you can see their individual faces!

British soldiers in miniature – look closely and you can see their individual faces!

A Waterloo soldier supports his wounded companion.

A Waterloo soldier supports his wounded companion.

The detail on each figure has to be seen to be believed.

The detail on each figure has to be seen to be believed.

Conservator Cymbeline Storey working on the model.

Conservator Cymbeline Storey working on the model.

From March until May 1st 2015 museum visitors can meet the Conservator, discuss the conservation programme and watch conservation of the model taking place. At 11:00 and 2:00 visitors can attend talks with the Conservator, which is ticketed due to limited access, or simply drop in between 2:30-3:30pm. For more information on how to take part please ring the Royal Armouries on 013 220 1999 or email enquiries@armouries.org.uk. Alternatively, keep your eye out for further blog posts over the next few months as conservation work progresses

Cymbeline Storey
Waterloo Model Conservator

 

Otley War Memorial research

As part of our project on the history and memory of the First World War our team of adult learners, pictured above, is researching some of the names from the Otley war memorials.

Adult learners

There are several memorials in Otley to those who served in the First World War: a memorial plaque in the Parish Church; a memorial in Otley Methodist Church on Boroughgate and one in Our Lady and All Saints Catholic Church on Bridge Street. We’ve chosen six soldiers from the Duke of Wellington’s Regiment who are listed on the Otley memorials to find out more about. Most of our soldiers served on the Western Front and none survived the war.

In researching our soldiers we’ve made use of battalion war diaries, official records and memoirs of men who served in the same battalion at the same time to try to reconstruct their war service and the circumstances of their deaths. We’ve also investigated their family backgrounds using online census data and parish records. However, we know next to nothing about what kind of people they were. We don’t have photographs of any of them. While most of them died unmarried and therefore don’t have descendants that we know of, we are aware that there might be families in and around Otley who have connections to some of these men.

Do you recognise any of the names below? Do you have a family connection to any of them? If you have any information, anecdotes or family stories that could help our research we’d love to hear from you.

Joseph Bona was a Company Sergeant Major in the 10th battalion Duke of Wellington’s Regiment. He was killed on 18 October 1917 aged 25 and is listed on the Tyne Cot Memorial.

Fred Chippendale served at Gallipoli with the 8th Battalion. He was injured and subsequently died of dysentery on 22 September 1915. He is buried in the Cario War Memorial Cemetery.

Edgar Mudd is the only one of our soldiers for whom we’ve been able to find regimental records online. When he attested for the army in december 1915 he stated he was willing to serve “for any service where my being blind in one eye is not detrimental”. Edgar served with the 1/7 Battalion and was killed in action in France on 3 July 1916. He is named on the Thiepval Memorial.

Walter Rollin was born in Halifax and served with the 2nd Battalion Duke of Wellington’s Regiment. He was killed on 3 March 1917 and is buried in Fins New British Cemetery, Sorel-le-Grand.

William Simpson served with the 2/5th and later the 5th battalion. He was killed in action aged 33 on 7 November 1918, just days before th war ended. He is buried at Maugeuge-Centre cemetery, having been exhumed from his original resting place in Mecquigeines churchyard and reburied there in 1950. The exhumation report includes his dental records and states that William’s size 9 leather boots and a jerkin insignia of the Duke of Wellington’s Regiment were still on his body, together with a pocket knife and various coins.

William Swainston served with the 9th Battalion and was killed on 2 March 1916. He was originally buried in Zillebike and was exhumed and reburied in Sanctuary Wood Cemetery in 1927.

 

 

Eastern Warriors: Japan – Medieval and Modern!

Japan-Web-BannerThis February half term, why not take the opportunity to come to Leeds and experience a glimpse of the world of the Japanese warrior? The Royal Armouries holds a wonderfully rich collection of Japanese objects, and many of these are on show in the Oriental Gallery.

Through these pieces, we can see how the distinctive arms and armour of the famous samurai evolved over the centuries, in conjunction with new developments in battlefield tactics and wider political, social and economic change.

DI 2007-1482, Sword (katana). Japanese, 16th century. Made by Kanemoto. XXVIS.366

DI 2007-1482, Sword (katana). Japanese, 16th century. Made by Kanemoto. XXVIS.366

A quick summary cannot do the world of Japanese arms and armour justice, but for a whistle-stop tour of some of the essential points please read on! We start with the Japanese horse archer with his elite warrior status, wearing his flamboyant lamellar o-yoroi or ‘great armour’ with the colourful silk lacing and large shoulder defences, his kabuto (helmet) with the spreading neckguard, and carrying the unique Japanese longbow (yumi) fashioned for use on horseback.

Image: close–up image of head and shoulders of armour (tosei gusoku) for a member of the Sakakibara family. Japanese, 16th century. XXVIA.274. On display in Leeds.

Image: close–up image of head and shoulders of armour (tosei gusoku) for a member of the Sakakibara family. Japanese, 16th century. XXVIA.274. On display in Leeds.

Image: Helmet (kabuto) and mask (mempo) of an armour given as a diplomatic gift from Tokugawa Hidetada to James I and VI in 1613. XXVIA. On display at the Tower of London.

Image: Helmet (kabuto) and mask (mempo) of an armour given as a diplomatic gift from Tokugawa Hidetada to James I and VI in 1613. XXVIA. On display at the Tower of London.

Image: DI 2005-0753 Helmet (kabuto), part of an armour copied from an o-yoroi (‘great armour’) made c.1300. XXVIA.209.

Image: Helmet (kabuto), part of an armour copied from an o-yoroi (‘great armour’) made c.1300. XXVIA.209.

Image: DI 2005-0563 An illustration from Yoroi Chakuyo shidai, or ‘The Order of Putting on an Armour’ showing an Japanese warrior. Japanese, early 19th century.

Image: An illustration from Yoroi Chakuyo shidai, or ‘The Order of Putting on an Armour’ showing a Japanese warrior. Japanese, early 19th century.

These horse archers prevailed on the Japanese battlefield until around the 14th century, by which point the emphasis on large bodies of infantry was increasing, and fighting on foot with staff weapons such as the naginata (glaive) and the yari (spear) became more common. As combat techniques evolved, the warrior lords and their retainers began to wear smaller, less elaborate styles of armour such as the do maru and the haramaki, which permitted greater freedom of movement – we have examples of both these styles of armour on show in the gallery in Leeds.

Image: TR.195 Armour (mogami haramaki gusoku). Japanese, mid-16th century. XXVIA.2

Image: Armour (mogami haramaki gusoku). Japanese, mid-16th century. XXVIA.2

In the mid-16th century the Portuguese arrived in Japan and brought matchlock firearms with them. The Japanese daimyo (nobles), who by this point were embroiled in the protracted civil wars known generally as sengoku jidai or ‘age of the country at war’, adopted this new technology with enthusiasm, and the Japanese matchlock (teppo) became a crucial weapon on the battlefield. This was famously proven at the battle of Nagashino in 1575, when the arquebusiers of the combined forces of Oda Nobunaga and Tokugawa Ieyasu annihilated the cavalry charge of Takeda Katsuyori. The new prevalence of firearms and the prolonged siege warfare that characterised the civil wars prompted further developments in armour. Laced rows of individual lamellar scales were reduced in favour of constructions incorporating solid plates, which provided better protection against bullets, and much experimentation was conducted to find a way of producing bullet-proof armour. Armour was simplified and the lacing was reduced in order to make it more practical during extended periods of warfare, as well as quicker and cheaper to produce for large numbers of troops.

Image: A13.369 - Illustration showing infantrymen armed with matchlock muskets. From a block book entitled Geijutsu Hideu Zue [Accomplishments in the secret arts] by Ohmori Sakou, with illustrations by Kuniyoshi (Tokyo, 1855).

Image: Illustration showing infantrymen armed with matchlock muskets. From a block book entitled Geijutsu Hideu Zue [Accomplishments in the secret arts] by Ohmori Sakou, with illustrations by Kuniyoshi (Tokyo, 1855).

Image: DI 2005-0854 Matchlock musket (teppo). Japanese, Izumi Province, 18th century. Made by Enami Ihei of Sakai. XXVIF.53

Image: Matchlock musket (teppo). Japanese, Izumi Province, 18th century. Made by Enami Ihei of Sakai. XXVIF.53

Once the civil wars were brought to a final close in the early 1600s by the victories of Tokugawa Ieyasu, though, the period of closely monitored peace known as the Edo period descended on Japan and lasted until the mid-19th century. A close eye was kept on the buke (warrior class) in an effort to stamp out all opportunities for insurrection. External influence was reduced to a minimum as the Shogunate shut down the majority of foreign trade amid concerns about Western ambitions within the country. A feudal chain of obligation between vassals, lords and ultimately the Shogun was codified in the ideal of Bushido or the ‘Way of the Warrior’, which reinforced the necessity of absolute personal loyalty and obedience. The glory days of the past must have seemed a long way away to the samurai, and this nostalgia was shown in part through the continued importance of arms and armour, not so much as functional equipment any more, but more for the implications of rank, status and honour that the pieces conveyed on their owners.

For example, the right to wear two swords, the katana and the wakizashi, at the same time, was restricted to members of the military class; those who were ranked lower in the social order, such as merchants, were only permitted to wear a short sword. Old styles of armour and copies of famous ancient armours became fashionable again; several of the armours on show in the Oriental Gallery in Leeds were made during the Edo period, but have archaic stylistic features such as individual lamellar scales or the big shoulder guards and neckguards that were popular during the times when o-yoroi  were worn. Martial arts involving weapons including the sword and staff weapons such as the naginata developed into more regulated forms; instead of being fundamentally a practical way to prepare for battlefield combat, the emphasis shifted to honing the skills, principles and mindset that were meant to embody the ideal warrior who was loyal to his lord.

Image: CN.977 - Armour (tosei gusoku) laced in purple and green. Japanese, about 1800. XXVIA.113.

Image: Armour (tosei gusoku) laced in purple and green. Japanese, about 1800. XXVIA.113.

Japan emerged from its period of self-imposed isolation during the mid-19th century, and embarked on an ambitious programme of rapid modernisation. By the twentieth century, Japan was competing with the military technology of America and Europe. However, certain cultural practices ensured that traditional Japanese arms and armour remained current and relevant. In Japanese religion, there is a strong belief that the kami or ancestral spirits continue to live on in the possessions owned by the deceased before they died, and this is thought to be particularly true of a warrior’s sword and armour. As a result, medieval armour and weaponry is often perfectly preserved, as the pieces are treasured through the generations as family heirlooms or passed on to shrines as offerings, so that the kami continue to be honoured and ensure good fortune for their descendents. It was often for this reason that Japanese officers in WWII had their ancestral, centuries-old blades fitted out with modern military issue mounts; in outward appearance their swords would conform to the 20th-century standard of uniformity and modernity, but they could still carry their medieval ancestors into battle with them. The ‘soul of the samurai’ still had power, and indeed it lives on today in the reverence that is bestowed on historical objects and the warrior culture connected with them, and the hold that the Samurai still claim over the popular imagination.

Image: DI 2010-1230 Sword (katana). Japanese, 14th century, with 20th century military mounts. Made by Sadatsugu in Bitchu province. XXVIS.333.

Image: Sword (katana). Japanese, 14th century, with 20th century military mounts. Made by Sadatsugu in Bitchu province. XXVIS.333.

Image: DI 2007-1476 Sword (katana). dated 1933. Made by Gassan Sadakatsu to commemorate the birth of the Crown Prince who is now Emperor of Japan.

Image: Sword (katana). dated 1933. Made by Gassan Sadakatsu to commemorate the birth of the Crown Prince who is now Emperor of Japan.