Inspired by Heraldry

This Spring, the Yorkshire Heraldry Society brings a fascinating display of hand-painted heraldry to the Royal Armouries’ as part of the museum’s Inspired by… Programme.

We spoke to calligrapher and long serving member of the Yorkshire Heraldry Society, Jim Winstanley to find out a bit more about his passion for the historical art of heraldry…

Jim Winstanley

Jim Winstanley

What is the Yorkshire Heraldry Society?
The Society was founded in 1970 and was originally known as the Leeds Heraldry Society. As more people joined from outside Leeds, namely Huddersfield, Halifax and Bradford it then changed its title to the Yorkshire Heraldry Society in 1987. The Society promotes heraldry through lectures, Art and local History and meets about 8 times a year.

How long have you been a member of the society?
I have been a member for over 20 years.

Can you tell us a little bit about the history of heraldry?
Heraldry came about by people decorating shields with patterns and animals, in time these became permanent and handed down from father to son. Richard III founded the College of Arms.

What interests you about heraldry? How did you get into it?
I am interested in the Historical side of heraldry – War of Roses etc. Historically, they say heraldry is shorthand to history. I am a calligrapher and I received commissions from Civic bodies, which, included Coats of Arms, and this increased my interest in heraldry.

How long does it take you to produce a piece of heraldry?
It depends on the design and elements involved. Usually drawing and research (if any is required) takes between 4 hours and 6-10 hours for a finished piece.

Can you tell us a little bit about the Heraldry day on 10 May – what can people get involved with?
The heraldry day is an annual event at the Royal Armouries Museum and this year there will be four lectures – each about a different aspect of heraldry. The topics are; An introduction to the Stall Plates of the Knights of the Order of the Thistle, Scottish Civic Heraldry on Postcards, Royal Charters and the Royal Mint and Heraldry in our Country Houses. Tickets are £15 including lunch.

How can people join the heraldry society?
Anyone can join – you don’t have to be artistic and we would welcome any new members. The talks given at the meetings include, not just local heraldry but National, Civic, Royal and Continental heraldry.

Blogger: Jim Winstanley, Member of the Yorkshire Heraldry Society

If you would like to attend the Heraldry day on Saturday 10 May or would like further information about joining the society, contact Terry Melia at terry@melia.org.uk.

The Inspired by Heraldry exhibition will be on display at the Royal Armouries Leeds from 28 March 2014. For more information, visit our website.

The Last Stand

We spoke to photographer and Terry O’Neill award winner Marc Wilson, to find out more about The Last Stand exhibition, which opens at the Royal Armouries at Fort Nelson on Friday, 3 May.

What was your Inspiration for the work?
Initially the project came out of a small body of work called Abandoned that I created in 2003. This project included some military locations – from these I realised the importance of the subject matter and I felt I needed to produce a piece of work about it. Many locations have been documented before in some form or another but I wanted to approach it in my own way, and in doing so not only look at the objects themselves, but their place in the shifting landscape over time. Most importantly of all, I wanted to set up a dialogue and hopefully prompt the viewer to reflect on the histories and memories associated with these places.

Like many people today, I have some connection to the two world wars. My grandfather had been in the Navy in the First World War and whilst I did have a relative flying with the RAF during WW2, the main connection was with one side of my family being caught up in the horrors unfolding in Europe. Perhaps, in some ways, this project is my response to that.

© Marc Wilson

© Marc Wilson

What has been your favourite location to capture?
I’ve been asked that a few times and it’s so hard to answer. I love the process of photography and I have enjoyed the experience of the journeys and taking pictures at these locations where the landscapes are quite breathtaking. But then at the same time, whilst I strive to produce visually beautiful images, the subject matter at these locations is so dark that the ‘enjoyable’ elements pale away. An odd feeling really.

As for a ‘favourite’ to photograph, the dunes at Newburgh, north of Aberdeen, come to mind. I was 600 miles away from home, up at 4am, and I had to climb out of the hotel bar window as the front door was locked. It was a wonderful hour’s walk through the dunes in the rising light and sea mist before I was greeted with the scene you see in the images in the exhibition. It was then a slow walk back along the beach as the sea mist slowly melted away, back to the hotel for breakfast and an explanation for the open bar window!

© Marc Wilson

© Marc Wilson

What was the hardest image to capture?
The hardest, physically, was probably the image at the Dengie peninsula in Essex. It was another 4am start, followed by a one-hour cycle to the location, over a muddy grass levee in the rain, with my large format camera, tripod and umbrella on my back. I then stood in the rain for an hour waiting for it to stop, which it did eventually. I set up, shot the image and then cycled back with heavier legs and over muddier grass. The trip to Northern France and Belgium was also hard with 10 days of ferry journeys, late afternoon recces, 4am starts and daytime driving to the next location, with evenings of unloading and loading darkslides in neon motels, and four trips up and down the northern coast chasing the light.

© Marc Wilson

© Marc Wilson

What has it been like to photograph such poignant locations?
I photographed in the South West of England – this location had been recced on a previous visit and so I knew the time of day, direction, amount of sun and height of the tides I needed for the shot.

Yet still this image required over 280 miles and five hours of driving, followed by three hours in place, with the camera set up, waiting for the perfect combination of light and tides.

The image you will see in the exhibition was made at Torcross, nearby Slapton Sands. Some of you may be familiar with the military history of this location but for those that are not, it was used as a training ground for the D-Day landings due to its similarity to the coastline and conditions in Normandy, France. The local villages had all been emptied of the residents and the troops had moved in.

In April 1944, during Exercise Tiger, the three-mile-long convoy of vessels on their way to the exercises was attacked by nine German torpedo boats.  Two tank-landing ships were sunk, with the loss of 749 American servicemen. Over 1,000 lives were lost during the exercise.

It is a beautiful and peaceful place, and as I now stand in these locations, I am so engrossed in the photographic process that I can at times forget these histories. As soon as I stop though, and begin to pack away the camera, they all flood in, these mass casualties of war, associated with the histories and memories of these sites I am photographing. My imagination though can only scratch at the surface of the reality of these events.

For more information about The Last Stand, visit our website.

Do you have a place, which holds memories that has now been abandoned or destroyed? Are you a serving soldier that has left behind a base you called home whilst serving abroad? Did you document these places at the time or now they are gone? If so, we would love you to share them with us online. Tweet us at @Royal_Armouries using #LostLocations or post on our facebook page.