One Man’s War – Major Tom Goodall’s Papers

Earlier this year, the First World War Archives Project was at the Duke of Wellington’s Regimental Museum in Halifax continuing to scan material from their collection.

In a stroke of luck the project’s first visit to the museum occurred just after a suitcase brimming with material had been deposited by a member of the public. Looking through the suitcase it was found to contain the amazingly detailed personal archive of Major Tom Goodall. The papers and memorabilia follow Goodall from his enlistment in 1914 as 2nd Lieutenant in the 2/5 Battalion (Territorials) Duke of Wellingtons Regiment, all the way through the first world war and his time as Major in the Home Guard during the second world war.

WWI case

Goodall’s collection is a goldmine of information comprising of his personal journals, trench maps, aerial photographs, battalion orders, medals, certificates, press cuttings, items captured from German Trenches and other ephemera. The collection is an invaluable new resource into the history of the 2/5 Battalion, in particular ‘D’ Coy, and the day to day running of the British Forces.

A personal favourite from the collection has to be this note found pinned at the Entrance to a German Dugout near Achiet-Le-Petit 17th March 1917.


‘Good Neight Tommy! Auf Wiedersehen!’

Get Involved

Can you read Shorthand or German? If you can then we need your skills!

Tom Goodall’s Archive contains 4 small diaries written primarily in shorthand along with a few bits of correspondence also in shorthand. We would welcome volunteers who would be willing to transcribe these diaries for us so that we can make this resource accessible to all.

The archive also contains a book captured from a German trench which appears to contain a list of code names and some sort of journal or company diary. This is a fascinating item and would be an exciting transcription project for a volunteer.

Volunteers do not need to live in West Yorkshire and anyone interested should contact

And Finally…

I’ll leave you with a few examples of the Battalion Orders which made the British Army the pride of the empire. Each one is a genuine order issued to the 2/5 Duke of Wellingtons Regiment during their time on the Western Front.

Battalion Order 293: Each company having been issued with a Flat Iron, Officers commanding companies will arrange that ironing of the seams of S.D. Clothing is carried out once a week and will forward certificate to Orderly Room every Saturday by 9 am stating that this has been done.

Battalion Order 294: Companies will arrange to inspect their sick before coming down to hospital and see that their men are properly washed and shaved.

Battalion Order 397: The practice of cutting down trousers to turn them into ‘shorts’ is prohibited. ‘Shorts’ are not to be worn in the VI Corps Area. (Vide. C.R.O. 2486 of 8-8-17)

Battalion Order 686: Companies will ensure that Haircutting is carried out as quickly as possible. All men must be completed by 9am 8-12-17.

Conservation Live! Siborne’s Waterloo model: Treating a corroded figure

Conservation of Captain William Siborne’s large-scale Waterloo model is nearing completion ahead of the upcoming exhibition Waterloo 1815: The Art of Battle, opening at the Royal Armouries on 22 May 2015.

While most of the lead/tin figures on the model were in excellent condition, it was evident that some had corroded in the past. A small number were actively corroding – a few quite severely. One such figure was a soldier lying in the road. Voluminous, powdery corrosion products could be seen encompassing the figure. At this point it was not clear how much of the figure had survived.


The first step was to remove the corrosion products mechanically and assess the level of loss.


Fortunately, the figure was in better condition than expected. Much of the paint had flaked off, the top surface of the body had corroded away and the left foot had been lost completely, but the surviving metal was fairly solid and the figure as a whole was still recognisable.


As much corrosion as possible was cleared away and the surface was cleaned with alcohol.


The next step was to consolidate the affected areas by applying a dilute acrylic adhesive in a solvent mixture. This accomplished two things: it lent the figure strength by filling any porous gaps in the metal and it sealed and protected the surface.


Following consolidation I made a replacement foot for the figure using Milliput epoxy putty. When freshly mixed it was the consistency of modelling clay, but within a few hours it set into a hard, durable fill.


After the Milliput had set the final step was to touch in the paint. The colour is slightly different than the original – this is intentional so that my touch-up will not be confused with original paint in the future.


The final result is below. My goal in this treatment was to preserve as much of the original figure as possible, stabilise it and make some cosmetic improvements so that the damage was not readily visible. While the figure is not exactly as it was before it corroded, it is still clearly identifiable and now in a stable condition.


The newly conserved Siborne model will be a key element of our Art of Battle exhibition, which opens 22nd May.

Cymbeline Storey
Waterloo Model Conservator

#Gallipoli100: Captured moments from the campaign

One of the major events of the First World War to be commemorated this year will be the 100th anniversary of the Gallipoli campaign. The Allied plan was to seize the Dardanelles, the narrow straights between the Mediterranean and the Black Sea, and re-open the southern supply route to Russia, which had been cut after Turkey’s entry into the war on the side of the Central Powers. An attempt to force the narrows by warships of the Royal Navy and the French fleet ended disastrously in the loss of three battleships sunk, and three more disabled by mines and gunfire, and so an expeditionary force was hastily put together.


The troops, including the Australian and New Zealand Army Corps (Anzacs), the 29th British Division and the Royal Naval Division, landed on Gallipoli on 25 April but they failed to capture the key heights dominating the rocky peninsular, and were restricted to two narrow beach heads some 15 miles apart. The Allies soon found themselves engaged in the same kind of trench warfare as on the Western Front. A second landing by three further divisions on 6-8 August was followed by a co-ordinated attempt to break the deadlock, but this also failed and in January 1916 the force was evacuated.


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The Royal Armouries archives contain a rare photograph album containing photographs of the Gallipoli campaign. It begins with a number of pictures showing the troops arriving at Port Said in Egypt, and there subsequent training at El Kantara on the Suez Canal, as well as photographs of visits to Mohamed Ali Mosque in Cairo and the Pyramids – please see the images below.

The scene then shifts and there are dramatic images of the warships and troop transports off Gallipoli dated April 1915, and of troops being landed on the rocky shores of the peninsular from small boats at W Beach (Lancashire Landing). There follow several photographs of trench scenes captioned ‘Near the White House’, ‘Lancaster St’, ‘Fig-tree Dug out’, ‘Backhouse Post’ and ‘Essex Knoll’ and several of troops behind the lines.


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The name of the photographer is not known, but there are several photographs of the same young man in the album, and the dates and locations would indicate that he was in one of the battalions forming the Royal Naval Division.

  • When the Division landed in Egypt the 2nd Brigade (Howe, Hood, Anson and Nelson battalions) were sent to El Kantara on the Suez Canal – there are photographs of troops at El Kantara in the album.
  • On the 25th April the Division made a diversionary landing at Bulair in the Gulf of Xeros. – there are photographs of two of the transport ships, the Franconia and the Minnetonka, landing troops.
  • On the 29th April the Hood Battalion, the Howe Battalion, the Divisional and Brigade Head Quarters landed on W Beach – there are close up photographs (as if taken from a small boat) of W Beach.
  • On 6th May the Hood Battalion, the Anson Battalion and A Company of the Howe Battalion took part in the Second Battle of Krithia, and Hood captured a section of the line known as the ‘White House’ – there is a photograph captioned ‘near the White House May 15’.

The Royal Armouries purchased this amazing photograph album from an antiquarian book dealer in September 2010.


Meet the Horse: Alfie


15.1HH  Traditional Gypsy Cob

Do not be fooled by Alfie’s colouring. The humble black and white cob is seen in many battles throughout history. A true jousting star. Alfie’s short stocky frame and bulging muscles along with his tonnes of personality make him a fantastic mount. He is an amazing stunt horse and has taken part in displays up and down the country. Although he never forgets his roots as a riding school pony back at base camp.Easter Joust  - April 2014_11_Alfiealfie3

Meet the Horse: Rupert


16.3HH Irish Draught

Star of stage and screen Rupert has taken part in many productions from centre stage in Falstaff at the Royal Opera House in Covent Garden to leading Cavalry charges at the Horse of the Year Show. Rupert is a brilliant jouster , as steady as a rock, a lovely kind horse who never lets you down.

Rupert and Andyrupert in armourEaster Tournament 2013020413_61_RuperthorseEaster Tournament 2013020413_116_Rupert

Meet the Horse: Aramis


15HH Dales x Irish Draught

Small but mighty with his tail swirling like a propeller, Aramis is quite a sight. If you keep your ears open you can even hear him squeal with joy when he sets off down the list. This horse loves jousting more than anything and it shows in his work. An amazing tv and film horse who is also in Poldark showing on BBC at the moment.

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Meet the Horse: Dylan


15HH Dales

A determined little tank who will joust whilst conserving energy. Will do the minimum required them plod back to his stable for his hay net. But still gets winning results, a very clever little horse who at the moment is playing Elizabeth’s horse on Poldark. He has been in many TV and film productions but also takes part in our trick riding and stunt shows , specialising in jumping fire and fighting dragons!!

Picture 263Easter Tournament 2013020413_109_DylanEaster Tournament 2013020413_110_DylanEaster Joust  - April 2014_10_DylanDylan2

Meet the Horse: Ted

ted15.1HH Irish Cob

Ted or Tedward Bear as he is so valiantly known behind the scenes, is a true gent. Having turned his hoof to everything from being a county show cob to pulling wagons of potatoes whilst filming, or pulling a roman chariot. Ted has seen and done it all. Unfazed and unimpressed, he runs straight and true down the list and has won many a competition at the Royal Armouries.

ted in action

Easter Tournament 2013020413_117_Ted

Mark Caple won the Queen’s Jubilee Horn in 2014 riding Ted.

Knight on horse

Royal Armouries jouster Andy Deane riding Ted

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Mark Caple won the Queen’s Jubilee Horn in 2014 riding Ted.


Meet the Horse: Patrick

Patrick (2)17HH Irish Sport Horse

The second of our coloured horses, though he couldn’t be more different with his long legs and hogged mane. You can see his sporty breeding from a mile away. With muscles designed for the hunting field, the short sprints needed for the joust are a breeze for this gentle giant.

Meet the Horse: Tino

driff 00516.1HH Lusitano x Irish Draught

With his beautiful dun coat Tino is sure to catch your eye. A brilliant trick riding horse who is also trained at liberty. He has competed in both show jumping and dressage. Tino’s greatest battle in life is against the dreaded enemy …food….as you can see by his rather cylindrical shape he is losing the battle. However he has taken home many a victory on the jousting field.

tino2 tino3Tine center