We continue on our journey from the past to modern concept, to physical reality, as Karen Whitting, Head of Creative Programmes takes us through the process of a ‘Thinking day’.
Our Ambition: To re-display an area of the entrance floor of the White Tower entitled the ‘Line of Kings’, which was developed most recently in 1996 – and installed at that time with a clear intention to re-visit the exhibition as soon as further resources became available. Unfortunately, this was put on hold as other plans came into play – until now.
Our Collection: The objects currently on display include a wide range of material from 12 carved wooden horses to rows of pikemen’s armours. Our challenge was to develop a brief, which would inspire a new exhibition showcasing these objects and revealing their stories.
Thinking Day: In June 2011, interested parties from both Royal Armouries and Historic Royal Palaces stepped away from their day-to-day working and into a ‘thinking day’ on the ‘Line of Kings’. Thinking days offer a fantastic opportunity to focus on specific subjects, really drilling down into detail without distraction. I think they work most effectively when they take the format similar to that of the ‘Moral Maze’ on Radio 4 – evidence is presented by a diverse range of experts and then examined and discussed in order to gain a greater understanding and appreciation of the subject.
For the ‘Line of Kings’ we were lucky enough to hear from two of our own staff about the current collection on display and on existing research material regarding the history of the Line, complemented by presentations on the Restoration period from Dr Jacqueline Rose (Author of ‘Godly Kingship in Restoration England: The Politics of the Royal Supremacy, 1660-1688’) and examining the horse in mythology & culture from Dr Elaine Walker (Author of ‘Horse’, a study of the horse in cultural history).
After a lively and challenging debate, our conclusion was that we needed even more information – focussing on both the Royal Armouries’ collection and its use in the ‘Line of Kings’ and this history of the Line at the Tower of London.
Research: The project, therefore, began not with the commissioning of designs but rather in the exploration of archives, the consultation of experts in areas such as wood and paint analysis and the collation of reports – all aiming for one outcome – the unlocking of the secrets of the origins of the ‘Line of Kings’ which in turn would inspire us to create our new exhibition.