Editing, a labour of love…

Sound Artist Amie Slavin talks about the trials and tribulations of editing Other Ranks and how every stutter, mumble and pause must be considered.

At the end of the process of collecting sounds, I gathered them all up and began the massive labour of love, which is the editing process. I had to listen to every moment of every recording, snipping and making tidy cuts of usable sounds and filing them for inclusion in the piece.  I had to spot what’s especially good and excise anything off-topic, contaminated or unusable for any other reason.

At this point I had a big pile of files, each still quite lengthy, containing the best of each location and/or voice.  This is where it gets tricky…

The toughest part of editing for a project like this one is that you end up with more material than you have space.  You are, if you are me, now in love with every sound, every voice, and getting really scratchy about losing anything anyone has said.  Tough!  Man-up, whining arty-person!

From here on, each sound file has to stand up and justify its inclusion in the piece.  Every voice gets edited further as each one is snipped and placed, with extreme delicacy and care, into position within the mix.  Each must overlap its surrounding sounds correctly. A fraction of a second alters where the listener’s attention is – and this has a very real impact on which parts of which voices actually get heard.  I like to have voices criss-crossing each other, like old chaps in a pub, each philosophising into his pint, they chime, coalesce and weave gently around each other.  They also cut across each other, sometimes agreeing and sometimes not.  They reinforce and contradict each other.  One voice adds to another from a very different experience or perspective.

Throughout the process, my preference is to preserve the participant’s own speech rhythms and style of articulation.  I don’t like to begin by cutting out their stumbles and stutters.  I like the emotional elaboration we get from the way someone speaks, as well as the words they say.

At every point the priority is to pay central attention to what each person was trying to say.  I warned participants that their voices would be edited.  I also promised to represent them fairly.  This was a most serious and sincere pledge and, at the end of the production process I am equally concerned with how each participant will feel about his treatment within the edits and the piece, as well as the effectiveness of the whole mix.  This creates an additional complexity which has served to keep me awake and pacing the floor through many nights in the past four years.

The end product contains literally hundreds of sounds and dozens of voices, as well as several hundred participants who contributed their marching feet and PT exertions.  In many places the voices are edited into fluency.  Many, are of course, fluent to begin with.  Where necessary, I have removed stumbles and mumbles, which make a particular piece of speech too long for the gap it’s heading for.  Did it work?  Well that’s your call, isn’t it?

Blogger: Amie Slavin

Other Ranks is now open in the War Gallery at Royal Armouries Museum in Leeds until March 2013. For more information, visit our website.

Creating Other Ranks…

Sound Artist Amie Slavin has been creating the installation, Other Ranks, for the past four years. She tells us about her journey; travelling to Army camps to record soldiers’ stories, witnessing a mocked-up Afghan war zone and trying to instigate a good old dressing-down.

Artist, Amie Slavin

Other Ranks owes its existence to many contributors and friends. A project of this scale and scope requires a lot of research and preparation. The bulk of the work, in terms of the time it has taken, has been spent in pursuing every sound, every voice, every piece of proffered advice or wisdom and seizing ruthlessly on anyone not quick enough to stay out of reach!

I’ve been on three different Army camps and visited a TA veterans’ group.  I’ve recorded in the street, in fields, backrooms and a mocked-up Afghan Forward Operating Base.

At the beginning, notwithstanding meticulous and painstaking planning, there’s little predicting the sounds that’ll make it into the studio.  I roughed out lists of questions for interviewees and plans for sounds.  In the event, though, people say what they want to say and the best conversations are those where I’ve facilitated the participant to lead me in his chosen direction.  Some guys will talk about almost anything and are eager to do so.  Others are wary of speaking out of turn or of causing me distress with what they say.  For example, I spent some considerable time and effort attempting to find and persuade someone to give me a good old-fashioned Army dressing-down.  I wanted to show how the rigorous standards of behaviour and training are applied to the soldier on the ground. Two chaps very kindly had a crack at it for me but one eventually admitted it was just impossibly difficult to stand in front of a female civilian (my gender was more inhibiting than my disability they told me, to my delight) and deliver a proper telling-off.  Both spoke to me in gently firm and moderate language about my slipshod turnout on parade or my drunken behaviour off camp (how did they know?)

Upshot was I had to rethink the inclusion of a dressing-down, whereas a thoroughly slick and fluent explanation of the history of the Drill Parade flowed onto tape without hesitation or preparation.  I couldn’t have guessed that this would be the case.  Planning a production of this nature is a deeply imprecise science.  This is, of course, one of the greatest joys of it.

Other Ranks, opens in the War Gallery at Royal Armouries Museum in Leeds today (1 November) and runs until March 31, 2013.

Blogger: Amie Slavin

Introducing Other Ranks…

Sound artist, Amie Slavin, brings the multi-sensory, sound-based installation, Other Ranks, to the Royal Armouries Museum in Leeds, this November to form part of our Remembrance events.

Other Ranks by Amie Slavin comes to the Royal Armouries in November 2012.

Amie gives us an insight into what to expect…

Other Ranks is a project aiming to tell the civilian public how life is for ‘squaddies’ and helping to honour the sacrifices made by those serving in the British Army.

The installation will feature the stories of current and ex-soldiers, who have been on active service in dangerous places. Their stories will be played out of 16 speakers, interspersed with extracts from written sources, from classic fiction and well-known poetry, to unpublished thoughts of the rank and file.

The endless parade of marching feet, drill, handling weapons, tackling an assault course and training in urban warfare will also be heard. These sounds intend to evoke thoughts of the people inside the marching boots; each is a human being, a man prepared to give his life in combat, each is the hero of his own story. These sounds move and swell around us, illustrating the unimaginably large number of people who have gone to war under a British flag.

How many of us ever really consider what it has meant, through the centuries, for a hundred, a thousand, half a million troops to be killed in the various theatres of war? Each broken body is the culmination of a person’s life, their hopes and dreams. Raising the question of whether these men are a breed apart – or ordinary people, stepping up to do an extraordinary job?

Empty boots will stand in the space, as a further reminder of the people, mostly men, who have worn those boots and made that ultimate promise to their country. How many boots have been left standing empty, through the generations?

Under your feet, as you move around the space, the entire floor will be covered with photographs, pictures of people, thousands of them, all overlapping and layering, an apparently numberless throng. Many of the people in the photos on the floor are in uniform. The uniforms vary endlessly, but each one contains a unique person. Among the uniformed folk you will also find other people, some are the mothers, the sisters and the children. Others are the farmers, the entertainers and the cooks. They are all the victims of war; nobody is exempt; the floor is covered with pictures of humanity; those who can be shot, bombed, diseased or bereaved.

We honour and commemorate the lives lost in wars – the officers, the civilians and, centrally, the ever-marching Other Ranks.

For more information about Other Ranks, or to donate your own photographs or old military boots, please visit Amie’s website.

What a corker!

XVI.258A – Tower Hamlets Rifle Volunteers Officer’s Helmet

Conservation work has recently commenced on a Tower Hamlets Rifle Volunteers Officer’s regimental helmet, which will shortly be going on display at the Tower of London. The helmet is of the Home Service Pattern design, introduced in May 1878.

Black and silver helmet with chin strap and spike

XVI.258A – Tower Hamlets Rifle Volunteers Officer’s Helmet

The body of the helmet is made of cork, covered in black cloth, with two seams on each side. The chin chain is made of interlocking silver-plated rings, backed with leather and velvet. This was attached to the helmet on two side rose bosses and, when not being worn, the chain would have been attached to a rear hook. All the metal components on the helmet are silver-plated.

There is a metal crosspiece with a spike and base on the top of the helmet and a metal plate badge on the front. The badge’s design comprises an eight-pointed star surmounted by a crown. A Garter belt is around the outside, inscribed with the motto ‘Honi Soit Qui Mal Y Pense’ (Shame upon him who thinks evil upon it). The centre of the badge features the White Tower in the Tower of London as a symbol of the Tower Hamlets Regiment.

Silver badge with representation of White Tower and the motto Honi Soit Qui Mal Y Pense

Silver badge with the White Tower in the centre

The helmet’s interior has a leather layer and also a pink silk lining. The helmet features two retail labels for the hatters ‘W. Cater & Co. Established 1776, 56 Pall Mall, London’. The silk lining also features a name label for the helmet’s owner, ‘G.E. Colebrook’. George Colebrook was part of the 1st Tower Hamlets Rifle Volunteer Brigade and was promoted to Lieutenant in June 1901. Sadly he is recorded as having died in a motorcar accident in 1903.

Silver chin strap with detached leather backing

Silver chin chain with detached leather strap

The helmet arrived in the conservation lab with tarnished metal components and a partially detached chin strap, where the original thread had broken leaving some of the rings hanging loose from the leather backing. Stay tuned to hear about the conservation treatment and repair to the chin strap, ready for the helmet to go on display.

Blogger: Philippa Beesley, Conservation Student

Collections Up Close November

Pte. Thomas Queenan. Image ©Royal Armouries.

Pte. Thomas Queenan

Our Leeds Museum houses items which belonged to Private Thomas Queenan, who was killed on 4th June 1916 while serving in France. He lived near the site of our Leeds Museum and several of his belongings were donated by his family, including his 1914 Star, War and Victory medals, and his Queen Mary’s Christmas Box which contained a souvenir handkerchief of his West Yorkshire Regiment. Queenan was just one of many thousands of men from the region who lost their lives during the war who will be honoured in our Remembrance Day service.

Pte. Thomas Queenan is standing on the right in this image. Image ©Royal Armouries.

Blogger: Angela Clare, Researcher