Line of Kings: Exhibiting in the 21st century

Karen Whitting, Head of Creative Programmes, talks about bringing the Line of Kings exhibition into the 21st century.

While the work on display mounts such as the figures from H&H has been continuing off site, the installation of the exhibition has been taking shape in the White Tower over the past three weeks.

One of the main design aims has been to allow visitors to enjoy the iconic building of the White Tower as well as the new Line of Kings exhibition housed within it. This work has included removing modern interventions, such as operations cupboards, which has transformed the space, reconnecting the east and west sides of the entrance floor through high stone archways.

High stone archways in the White Tower © Royal Armouries Museum

High stone archways in the White Tower
© Royal Armouries Museum

Exhibition craftsmen from the cultural and heritage fit-out company, the hub, have been working around the clock to turn our 2D paper designs into 3D reality.

Paul Lee, site supervisor, from the hub examines designs in the White Tower. © Royal Armouries Museum

Paul Lee, site supervisor, from the hub examines designs in the White Tower.
© Royal Armouries Museum

New wooden display plinths have been painstakingly constructed to have no impact on the historic structure of the White Tower and to sit sympathetically inside it. They fit so well with the existing floor that it almost looks as though they have always been part of the site – and they reveal none of the effort that has gone into their installation.

The hub team install wooden plinths in the White Tower. © Royal Armouries Museum

The hub team install wooden plinths in the White Tower.
© Royal Armouries Museum

As soon as the first plinth was complete, a team of skilled engineers was brought in from Beck & Pollitzer to move the original carved wooden horses into their new exhibition positions.

During the project’s research phase, a photograph was discovered in the Royal Armouries’ archive which is at least 100 years old. It shows wooden plinths and a wooden horse on the top floor of the White Tower – another visceral connection with the redisplay history of the Line of Kings and one which makes everyone involved in the project today part of this continuing story.

A wooden horse and wooden plinths on the top floor of the White Tower pre 1914 © Royal Armouries Museum

A wooden horse and wooden plinths on the top floor of the White Tower pre 1914
© Royal Armouries Museum

Engineers from Beck and Pollitzer move an historic wooden horse from the Line of Kings supervised by Chris Smith, Royal Armouries’ Conservator © Royal Armouries Museum

Engineers from Beck and Pollitzer move a historic wooden horse from the Line of Kings supervised by Chris Smith, Royal Armouries’ Conservator
© Royal Armouries Museum

Blogger: Karen Whitting, Head of Creative Programmes

Line of Kings: Sad, scary or thrilling – the removal of an exhibition

Karen Whitting, Head of Creative Programmes, tells us about riding a wave of emotions as the removal of the old exhibition gets underway.

As we moved into the physical phases of the Line of Kings’ project over the last month, new partners have joined us. The cultural and heritage fit out company, the hub, are providing build and installation expertise and Equinox are working magic as they art-work the graphic images and label texts.

While offsite technical drawings are prepared, signed off and fabricated and text is set and approved in a state of relative calm and detachment, on-site there is a hive of activity which has become very personal.

Exhibitions installed in the late 1990s and as recently as 2009/10 are leaving the White Tower as little more than scrap metal and splintered wood. All the collection objects were removed, packed and safely stored and any items for re-use were stripped out. What was left is now being broken up and leaving site in skips and vans for re-cycling and disposal.

Skips and vans remove the old exhibitions at the White Tower, Tower of London

Skips and vans remove the old exhibitions at the White Tower, Tower of London

But how does that make us feel? Sad, certainly, as exhibitions that staff had invested in academically, physically and emotionally are removed. Scary, partly because you never quite know what might happen during a time of such rapid changes, and thrilling, because the stripping out of these modern interventions is revealing more and more of the historic fabric of the iconic White Tower interior and setting the scene for the installation of our new exhibition.

The idea that we are following in a centuries-long tradition of re-display at the Tower of London is enough to send shivers down our spines. Every step we take on this extraordinary journey to opening day has been taken before, right here at the Tower. This really is history where it happened.

From 10 July, visitors to the 21st century Line of Kings’ exhibition will be following in the footsteps of their predecessors, viewing artefacts that were on display as far back as 1652.

Looking ahead, perhaps their reactions will survive to inform the exhibition teams of the future.

Blogger: Karen Whitting, Head of Creative Programmes