Movember

In celebration of Movember, an increasingly popular annual celebration of gents growing moustaches to raise awareness of men’s health issues, this is a fine opportunity to examine a very unusual moustached helmet in the Royal Armouries collection.

When given a chance to graffiti art, many people’s immediate reaction is to draw on a moustache, as the ultimate disrespectful gesture, however this 16th-century German helmet is already decorated with a marvellous twisted moustache. It is a virtuoso example of metal-working: the moustache and nose were not attached but made as one with the visor, using the art of embossing, or drawing and raising steel. Enough metal had to be allowed for the moustache to be drawn evenly out of a single plate, then twisted and folded back underneath the nose.

Moustached helmet

Moustached helmet

Slightly later in date than the famous horned helmet displayed nearby in the Tournament Gallery this helmet was also for use in the parade, as part of a costume for special occasions, and may represent a specific character from a play or masquerade. However the moustached helmet differs in also having a practical barred visor underneath the decorative outer visor for use in the tourney, when groups of mounted knights charged at each other. The moustached visor could have been easily removed or even replaced by another more conventional visor. It is also possible that combat may have also taken place whilst wearing the grotesque masks, to great comic effect.

Helmet with moustached visor removed

Helmet with moustached visor removed

A third grotesque parade helmet, which currently resides in our stores, has a comical feline face, with pierced fan-shaped steel wings attached by the visor pivots. Metallurgic analysis found the steel to be very low in carbon and to be very soft, so of little use in a combat situation.

Feline armet

Feline armet

So like platform trainers or costumed marathon-runners today, the boundaries are blurred between fashion, practicality and entertainment. Those who could afford it would commission spectacular creations to show their individuality, or questionable generosity when giving diplomatic gifts. I just wish we could rediscover the original sources for these fantastic characters, and see if the jokes are still funny today. I think they probably would be.

Blogger: Victoria Adams, Curatorial Assistant

Conservation, Museums and Blacksmithing

As part of the National Heritage Ironwork Group’s Heritage Blacksmiths Bursary, funded by the Heritage Lottery Fund’s ‘Skills for the Future Programme’, I have had the pleasure of spending three weeks working in the Conservation Department of the Royal Armouries. Coming from a background in blacksmithing, where often the delicate work simply requires the use of a slightly smaller hammer, it was a bit of a change swapping to cotton wool buds!

The craftsmanship and skill of the weaponsmiths and armourers that made the Museum’s objects is unbelievable. The time and care that has been spent on some of the pieces is so impressive you can see why a suit of armour could have cost as much as a small farm.

Matthew working on removing corrosion from a breastplate

Matthew working on removing corrosion from a breastplate

While working here I have been lucky enough to get involved in behind the scenes aspects of the Museum, from putting objects on display to cleaning and conserving items in the collection. The conservation of the brass nipple-studded breast plate, pictured above, required removing corrosion without disturbing the original patina in unaffected areas. This can be quite challenging and the conservation work that the department does is vital in maintaining the collection for future generations.

I will be using the skills and conservation techniques which I have learned at the Royal Armouries to protect and maintain the heritage ironwork I hope to be working on in the future.

Blogger: Matthew Boultwood, Student Work Placement – Conservation Department

The Battle of Edgehill, 23 October 1642

English Civil War began in 1642 when forces under King Charles I clashed with Parliamentarian troops under the Earl of Essex. The King was marching from Shrewsbury to seize the military stores in the Tower of London, and Essex was sent to stop him. The two forces met at Edgehill in Warwickshire. After several hours hard fighting neither had gained an advantage, and both generals drew their forces off.

A pikeman's arms and armour, and the equipment of a musketeer. From Principles of the art military by Henry Hexham (1642), Vol. 1.

A pikeman's arms and armour, and the equipment of a musketeer. From Principles of the art military by Henry Hexham (1642), Vol. 1.

At the start of the war both King and Parliament had to raise and train their armies very quickly; England had been peaceful for many years and had no standing army. Only men who had taken part in the European wars had any experience, but these adventurers brought back knowledge of how the Europeans trained and used their soldiers.

One such man was Henry Hexham, and in 1642 he published The First Part of the Principles of the Art Military, Practised in the Warres of the United Netherlands. Two further parts were published in 1642 and 1643. These books give instructions on how to raise and equip forces, the roles and duties of the various military officers, tactics in the field, and how to train recruits in the use of pike and matchlock musket.

Drill postures of the pikeman. From Principles of the art military by Henry Hexham (1642), Vol. 1.

Drill postures of the pikeman. From Principles of the art military by Henry Hexham (1642), Vol. 1.

Hexham had served in Holland, the leading centre for military innovation in Europe at this time, and his works are substantially based upon those of contemporary Dutch authors. The book is lavishly illustrated, and it is interesting to note the original Dutch commands are still present in the illustrations of pike and musket drill, suggesting that Hexham recycled existing engravings rather than commissioning new ones.

The Principles of the Art Military provide us with a great insight into how the Civil Wars were fought, and how armies were created out of ordinary citizens at this time. Strategically Edgehill was a victory for Parliament, as the King was prevented from marching on London. But in reality the bloody stalemate merely set the scene for several years of grinding, savage fighting.

Blogger: Stuart Ivinson, Library Assistant

Weird and Wonderful

Henry VIII was well-known for his interest in technological innovation when it came to armour and weaponry, whether it was for personal use or for equipping his army. The sixteen gun shields which survive in the collections of the Royal Armouries are a prime example of his fascination with new or unusual developments. These shields formed part of a group of thirty-five such contraptions listed in the inventory made of Henry’s armoury after his death in 1547, which recorded them as ‘targets steilde wt gonnes’. They are thought to have been produced for the King by Giovanbattista of Ravenna around 1544. He may have supplied them complete, or possibly just the shields, in which case they would then have been fitted with guns in England.

All the surviving shields are of similar form. They are circular, measure approximately 50cm in diameter, and are fitted with breech-loading matchlock firearms which protrude either from the centre of the convex face, or slightly above the centre point. In most of the shields with centrally mounted guns, there is a small aperture covered by a grill, which must have been used for sighting and aiming. The main shield bodies were constructed from two layers of thin strips of wood, possibly oak, ash or elm. The bases were then edged and faced with iron or steel plates. Some of the shields have the remains of textile linings, which seem to have been woollen cloth covering a layer of tow or hemp fibre which acted as padding for the arm holding the shield. Leather straps provided attachments for the arm, and the guns were braced with an iron bracket.

Shield front and rear view

Shield front and rear view

A further inventory of the armoury in 1676 shows that over time, the number of gun shields had increased to sixty-six. To have been present in such numbers, they seem to have had some credibility as military weapons, even if this was short-lived. This theory is supported by the recovery of fragments of gun shields from the wreck of the Mary Rose, because it is unlikely that they would have been on board if they were not considered potentially useful for offensive and defensive purposes. There has been speculation that their presence on the Mary Rose meant that they were specifically intended for naval use. However, it seems more likely that they had been packed to be transported as part of the royal arsenal, because they were placed in storage in the ship’s orlop deck rather than positioned for immediate use as part of the ship’s armament.

These gun shields never experienced widespread usage. This was probably due to their unwieldy nature and the risk of injury to the face, eyes and hands from the blast of combustion gases when the guns were fired. However, the shields are of exceptional interest today because they provide an early example of breech-loading firearms which used pre-loaded iron cartridges tapered to match the taper of the breech of the gun. Firearms were becoming increasingly versatile in the sixteenth century, and gun shields provide an important indication of this.

Blogger: Natasha Roberts, Curatorial Assistant

STEN – Now and Then

Mass-produced military firearms rarely survive with much of their service histories intact. At the Royal Armouries in Leeds we recently discovered an exception that has been hiding a lot of history – in plain sight – in the markings stamped and scratched into its metal body.

Close up of the engraving on the Mk.II STEN

Close up of the engraving on the Mk.II STEN

It is a rare type of Mk.II STEN made in 1943 using a new, cheaper, wrapped steel body. These were found to be faulty and were all recalled – just like a car would be today. This particular STEN survived because it had been supplied to South Africa and ended up in Cyprus sometime in the 1960s.

An explanation for this is that lots of young Greek men went to South Africa during the Second World War to fight with both the South African and the Greek armies, and the STEN must have left with them at the end of the war.

Mk.II STEN on the production line

Mk.II STEN on the production line at BSA assembly facility plant at Tysley, 1942

Having been cut and welded internally to prevent it firing, it was then purchased by the Royal Armouries and spent 17 years being used for education and live interpretation. We don’t normally collect deactivated firearms, you wouldn’t blunt a medieval sword after all, but we have now added this example to the permanent collection due to its rather interesting history.

Blogger: Jonathan Ferguson, Curator of Firearms

Exploded Firearms

As a soldier it was, and still is, important to be familiar with your personal issued weapon in order to be able to keep it clean and keep it functioning correctly. Before multi-media learning aids the best way to learn about the functionality of a weapon was to take apart the real thing and mount it on a wooden board, much like a 3-D exploded diagram today.

Board

Webley Mk.I and II revolvers of 1895 and several devices called 'Morris Tubes'

Three boards in the Royal Armouries’ collection contain all of the separate components for several iconic British military firearms. The first shows the Magazine Lee-Metford Mk.II and Lee-Enfield Mk.I rifles, both introduced in 1895. The next board focuses upon the Short Magazine Lee-Enfield of 1903 and the Pattern 1907 bayonet. The last contains the Webley Mk.I and II revolvers of 1895 and several devices called ‘Morris Tubes’. These were designed to allow military rifles in .450 .303 calibre to fire cheaper small-bore .22 rimfire ammunition for training purposes. All of these are pre-First World War, though versions of the SMLE and Webley revolver were standard issue right through to the Second World War.

Rifle board

Short Magazine Lee-Enfield of 1903 and the Pattern 1907 bayonet

We don’t know for sure where these particular boards originated but they were made to instruct soldiers and officers in the component parts of their issued weapons and would have been hung on the wall of a classroom in one of the army’s training establishments.

Blogger: Jonathan Ferguson, Curator of Firearms

Collections Up Close August

The Royal Armouries’ collection contains several items belonging to Ernst August I (1688-1748), Duke of Saxe-Weimar, later Saxe-Weimar-Eisenach in Germany from 1728–1748. Ernst August was noted for his extravagant spending and love of splendour.

The Duke maintained a standing army that was disproportionately large for the duchy’s financial resources, which resulted in him having to rent out some of his soldiers to other leaders. He spent much of his reign desperately seeking resources, even arresting rich subjects in exchange for ransoms. However, legal proceedings were mounted against him and he was eventually bankrupt.

A selection of guns belonging to August

A selection of guns belonging to August

He had eight children with his first wife but none of their sons survived into adulthood, leading him to remarry after her death to try again for a male heir. He fathered four more children and an illegitimate son, but only one survived to adulthood- Ernst August II.

Several items of the Duke’s possessions are on display at the museum. These include a saddle from about 1720, typical of those used by cavalry in Europe during the late 17th and early 18th centuries. The Duke’s EA monogram can be seen on the gilt brass fittings of the saddle, which is on display in the War Gallery.

Close up of August's saddle on display

Close up of August's saddle on display

The museum also displays a set of hunting weapons and accessories made for the Duke by artist craftsman. It was popular for wealthy sportsmen of the 17th and 18th centuries to have a complete set like this. The items were made by various craftsmen from across Europe, including double-barrelled flintlock pistols (Flemish, made by Daniel Thiermay), single barrelled flintlock pistols (Italian, made by Gioanni Botti with barrels by Lazarino Cominazzo), a flintlock over-and-under sporting gun (French), and a German hunting sword.

The Duke’s passion for hunting was so extravagant that when he died, aged 59, he had 1,100 hunting dogs and 373 horses. However, August had left a financially ruined duchy, and his one surviving son, Ernst August II, succeeded aged just eleven.

Blogger: Angela Clare, Researcher

Arcade Games

The Royal Armouries in Leeds is now home to four retro arcade games. The games have been selected for their links to our wide-ranging collection – from medieval armours, Japanese swords to the Second World War.

You can try your hand at piloting a Second World War plane in 1942, playing Arthur the medieval knight in Ghosts ‘N Goblins,  hand-to-hand combat in two-player game Street Fighter, and being a legendary samurai warrior in Samurai Shodown.

Arcade Games at the Royal Armouries, Leeds

Arcade Games at the Royal Armouries, Leeds

Arcade games became popular in the 1970s, spurred on by the smash hit ping-pong video game PONG released in 1972. Space Invaders, released in 1978, proved to be an even greater success. During the 1980s video gaming became a worldwide industry, with popular games including Pac-ManBattlezone and Donkey Kong and the advent of two-player fighting games, such as Street Fighter.

However, advances in home video game console technology followed on, and eventually overtook, arcades. By the late 1990s and early 2000s, networked gaming across the Internet had also appeared, replacing the need for a venue for head to head competition, once provided solely by arcades.

Video games grew from simple moving block graphics to a global industry of enormous proportions, now played by hundreds of millions of people worldwide. Even today, there is still a keen interest and nostalgia for these earlier games.

Blogger: Angela Clare, Researcher

A Short Sharp Shock

The most well-known form of Japanese bow is usually the long war bow which was the original prime weapon of Samurai warriors on horseback. These impressive bows were constructed from a layer of deciduous wood sandwiched between layers of bamboo, and could measure up to two and a half metres in length. The eighteenth-century Japanese bow shown here, however, is made from whalebone and is much smaller, measuring a mere 63cm when strung.

It is a kago hankyu, also known as a riman kyu after Riman Hayashi of Kii province who invented this miniature device. The bow fits into a lacquered carrying frame, and eleven arrows are slotted in alongside it. The arrows are constructed from dark red bamboo, and most of them have gilding between the fletchings. Six of them retain their small armour-piercing heads, whilst another has a small broadhead pierced with a heart shape.  The base of the case is decorated with a triple overlapping diamond kamon (family crest) in gold.

Palanquin bow

Palanquin bow

The diminutive proportions of the kago hankyu could almost suggest that it was made for a child as a plaything. However, the bow and arrows were actually fully functional and potentially lethal. Indeed, their small size was a crucial part of their practical use. They had to be short because they were carried as defensive weapons by Japanese daimyo (nobles) and their senior staff when they were travelling inside palanquins (a covered sedan chair).

During the Edo period (1603–1868), the daimyo had to spend a lot of time in transit, complying with the demands of sankin kotai, the enforced biannual attendance at the court of the shogun. This resulted in a lot of long journeys in procession with large retinues of samurai and servants. If they were attacked on the road, a daimyo would be confined inside the palanquin, folded up into a kneeling position, and therefore had to be able to use his bow and arrows rapidly and effectively in very cramped conditions.

Kago yari short spear

Kago yari short spear

The daimyo also employed other weapons made on a smaller scale for the same reason, such as this kago yari (short spear) from the early Edo period, which is just over 80cm long.

Blogger: Natasha Roberts, Curatorial Assistant

Quoit Dangerous

This cumberjung is a unique weapon within the collections of the Royal Armouries. It is a double-ended flail, consisting of a wooden shaft turned with mouldings for gripping, and sharpened discs or quoits attached to the brass chains at either end. The faces of the quoits are padded and covered with knotted thread in concentric bands of white, faded red and blue. In its entirety, the flail weighs just over 1 kilogram. It was made in Gujarat on the west coast of India in the late 18th/early 19th centuries.

Gujarati quoit flail

Gujarati quoit flail

To use the cumberjung one would grip the handle at either end and manipulate it so that the quoits whirled through the air at either side, slicing into an opponent. It could be a ruthless weapon in close combat, but much skill and practice were needed for it to be properly effective.

Blogger: Natasha Roberts, Curatorial Assistant