As part of the museum’s commemoration of the 600th anniversary of the battle of Agincourt, the Royal Armouries is exhibiting a unique collection at the Tower of London from 23 October until 31 January. For this special exhibition, the museum commissioned a bespoke diorama of the battle with David Marshall, model maker of MMDioramas, along with the Perry brothers of Perry Miniatures.
So far in our blog series on making the model…
- David Marshall has given an overview of how the project took place – see this link.
- The Perry brothers have detailed how they produced the bespoke figures for the battlefield – see this link.
- David has detailed how he shaped the terrain of the battlefield – see this link.
- and Rob Henson (Painted Wargames) and Aly Morrison have taken us through how they painted the armies of Agincourt – see this link.
Here Alan Perry (one half of Perry Miniatures) details how the miniatures were placed ready for battle.
As the painted figures were finished in batches of 500 we started to work out the formations and dispositions on the terrain. The first thing to nail down was the positions of the main French ‘battles’. Their cores were made up from the resin ‘bricks’ mentioned before (see this link). These had to be glued down before David Marshall could finish the terrain around them.
However before anything was secured David placed all the figures in polystyrene blocks so we could arrange them in various ways to get the correct positions. We had quite a few meetings at this point with the Royal Armouries’ committee to pin down what they wanted to show i.e. how close the French vanguard were to the archers, how far round the archers were on the flanks, where the nobles should be with their banners etc. The meetings were all carried out in Loughborough where David had his studio. It was great to watch Anne Curry (Royal Armouries trustee and ‘Queen of Agincourt’) moving the blocks of figures around the terrain like a seasoned wargamer – it looked like she was enjoying it!
After the positions were agreed we could start gluing them onto the terrain. Surprisingly the placing of the figures didn’t take that long, less than a week in total. A couple of friends Aly Morrison and Dave Andrews came along to help the three of us (myself, David and Michael) on one of the days. We drilled holes into the groundwork and simply glued the pegged figures in. The horses needed a bit more attention as they were on bases so needed to be blended into the terrain.
The front two French formations are shown packed in close together (something that was commented on at the time) as they surge forward whilst being hit in the front and in the flanks by the arrow storm. The archers on the other hand are in a loose formation, so they can use their longbows, which created a comparatively wider frontage – suddenly the French started to look like they’re up against it!
Arrows needed to be shown in the ground so Dave Andrews came up with a brilliant idea of using bristles from a broom. Before cutting them down to size, the ends were dipped in light paint to simulate the goose feather fights. Once cut off, 1000 of these were placed by five of us, a painstaking task and one which will hopefully be noticed (if you look closely)!
The last bits to add were the banners. We asked Graham Black of GMB Designs if he would be interested in the creating the banners for the diorama. He’s known for the high quality of his flags so it was a no-brainer! The RA wanted to show the main leaders with their banners and heraldry, this in the end worked out to be around 40 in all. As you can see the banners are all shown stiff, not fluttering. During this period banners (as opposed to standards) were silk stiffened with buckram (a treated linen/canvas) in the middle, like a sandwich, or had a wooden baton along the top edge so they didn’t ‘fly’.
To see the model visit the Royal Armouries’ Agincourt exhibition at the White Tower of the Tower of London from Friday 23 October until the 31 January. For more details please see this link.